Showing posts with label mp3. Show all posts
Showing posts with label mp3. Show all posts

Friday, 2 January 2009

shdwplay#2: the fog through the trees.

Sore Eros' principle song writer is Robert Robinsion, he gets by with a little help from his friends. Boston is where he calls home but as life weaves it's rich tapestries of adventure and exploration Robert is happy to fall into the searching winds and go where the music takes him, both in his personal life and in the recording of his second proper full length 'Second Chants'.

To just get to this stage he has already undergone a monumental journey of discovery, after recording his first full length - with then band member Micheal Centore - and distributing it by his own admission mainly just to "friends and local radio stations" Robert set off for sunnier shores and made his way to LA. It was there he met Ariel Pink, who had just recently been signed to Animal Collective's Pawtracks imprint, Ariel found the backing band he required for playing live shows in Robert and his close friend Greg (of Gary War fame). So, partly due to conflicting work and sleep schedules and partly due the drain on inspiration forced upon him by life in LA, Sore Eros was put on hold in favour of touring the globe with Ariel Pink.
Unfortunately, or fortunately depending on how you look at it, Ariel and John Maus (who was enlisted to play keyboards) got stopped in London prior to a planned UK tour supporting Panda Bear, but Robert and Gary were on a different flight to Paris and perhaps due to the slightly more lenient french authorities, perhaps just to do with swirling winds of fate, they didn't get stopped and they thankfully decided not to waste the opportunity and embarked on the without Ariel and re-kindled his passion for Sore Eros. Skip forward a few years and we're back again in Boston with much of the material that he wrote in his time in LA scrapped in favour of what we hear today on Second Chants.

Second Chants is described by Robert as being "influenced more by the changing of the leaves in the autumn and the snow in the winter, rather then the palm trees of Los Angeles" a quality which speaks volumes for itself. Luscious textures fall softly to a forest floor, damp leaves crackle and hiss beneath your feet. It's dawn and the nights thick fog that has settled all around begins to disperse, creating free flowing ghosts that chant haunting, delicate melodies which echo and weave there way through the trees leaving a strong sense of love in their wake.

Love is in fact the central theme on the record which binds all the songs together, the concept of love before existence, the essence and truth of the coming together of two entities. On 'Before Animals' Robert sings "She taught me to love animals / I can hear their hearts beat" which is him expanding and exploring the notion of loving animals and the existence of love before animals. Sometimes on the record the message is lost in the enveloping effects of the music but this was the intention, this is him searching inside himself, existing solely in the moment, relying on the randomness of improvisation to best express his ideas and his beliefs.
Because of this the process of writing songs is a very organic one, sometimes it doesn't sound as though it should but when it does he himself describes it as "feeling like magic", this is a record for anyone who has ever believed in magic.
Not completely in the psychical respect of wizardry and witchcraft but in the magic that surrounds each and everyone of us and binds us all together as one. It's not a new (age) idea, in fact it's one which is expressed and accepted by many a great mind and in this particular instance Robert explores it brilliantly and if you can just open up your mind and your ears then Second Chants will do it's best to open up your heart.

Sore Eros - Before Animals.mp3 (zshare)

Second Chants LP is out on Shdwply Records on February 14th. In the meantime you can check out Sore Eros' myspace here.

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Tuesday, 23 December 2008

shdwplay#1: catch some waves.

"If you don't think drugs have done good things for us, then go home and take all of your records, tapes and CD's and burn them." Bill Hicks said it best, he always says it best and with his sentiment let me introduce The Super Vacations.

Now, I can't be sure whether the band had to claw the singer off the ceiling to do the vocals, or whether they do drugs at all but it seems pretty elementary. The Super Vacations' music is an old fashioned kaleidoscopic journey through their own states of consciousness. It's the bigger picture, it swirls and it sweeps, it distorts and contorts, it twists and it glides, it's up and it's down. It's a vacant solitary hut trapped on a stormy beach front but it's emanating a warm, radiant, all consuming love. There is sand in your mouth and salt-water in your eyes but their candy hearts are filled with sugar and bliss. Their music sounds like it was recorded in a basement, in the 60's, psychedelic licks cut through the sonic surf, muffled vocals claw there way through 40 years of crackling fuzz, it's crude, it's enchanting, it's out there. It's fucking amazing.

I've just invested in their recent self titled LP out on the amazing shdwply records, maybe i'll give you the lowdown when it gets here, until then, enjoy this piece of lo-fi beach pop brilliance.
Also, you can catch the drummer Ryan who will be over here doing live drums for Nathan Williams' Wavves in the new year, check tour dates here.


Check out The Super Vacations' Myspace here.

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Thursday, 27 November 2008

careless whisper.

resonant guitars, crackling delicate vocals, twinkling keys, serene distortion, echoing electronics. crackling delicate vocals, twinkling keys, serene distortion, echoing electronics, resonant guitars. twinkling keys, serene distortion, echoing electronics, resonant guitars, crackling delicate vocals.
serene distortion, echoing electronics, resonant guitars, crackling delicate vocals, twinkling keys.
echoing electronics, resonant guitars, crackling delicate vocals, twinkling keys, serene distortion.
oh and of course, lots of loops.

8 tracks, laptops, computer software, tiny bedrooms, pissed of neighbours, garages, penny pinching, scuzz, a mass of wires all tangled beyond comprehension. home recording and lo-fi production have been the surprise stars of 2008.
with everyman and his dog picking up a modified synth, a broken drum kit and a tesco price guitar and having a stab at pouring their angst onto an 8-track or garage band, no mastering, and before long, it's on myspace for the world to share. i can't say i'm opposed to this, after all i run a tape label, i love the fuzzy punch of home recording and it has given me a lot more music to listen to too. some people have took the lo-fi sound and approach and ran with it, and have acquired many a more adoring fans than they had in previous years, no age, bradford cox and times new viking to name a few. some have tried and failed. i have a fair few pending requests that demonstrate this, i just don't have the heart to deny them, after all this isn't some polished, £1mil, pre-packaged jewelcase release, this is an extension of these people and who i am to judge them as people?

so aside from the big hitters and their new found record deals with sub pop or witchita, one italian born londoner has shone like a un-polished star amongst all of this, un-polised or not a star is a star non the less. his name is robert pulsan, it's not sorry, i couldn't resist. his name is actually alessio natalizia but you might know him better under the moniker banjo or freakout. he started recording his majestic art-pop a couple of years ago, surrounded by people he didn't know in his girlfriends house and without any sign of her showing up, he turned to her computer and began playing around on a music programme and not long later had written his first song, freak out. now, i can't speak for you but i'm certainly glad that his girlfriend never showed that night because since then alessio's music has grown from strength to resonating strength.

he gives himself just one strict rule when recording and that is that he always goes with the first take, of everything, including vocals. of course, he toys with the whole thing afterwards on his laptop, adding loops, and samples and all manor of other-worldly intricacies. the option to go with the first take gives his music a very punk-rock quality and with each new song or cover (upto date alessio has recorded 20 amazing covers of artists such as bob dylan, pavement, why?, amy winehouse, invisible congo people and even burial) that that he posts on his blog comes with a distinct lack of progression in terms production but a sense that he really is finding himself and his place as a recording artist.

below, is possibly the pick of alessio's original material, a track titlted '42' from his upside down ep. it brings together the resonant guitars, the twinkling keys, the serene distortion, the echoing electronics and the delicate vocals crackling away as allessio passionately lets the world know that "i'm not upside down". type banjo or freakout into any search engine and you'll be met with an abundance of interviews and mp3 blogs, which all suggest that he isn't upside down at all, in fact he is very modest and remains grounded despite his growing popularity. all the evidence suggests that 2009 could be a busy year for alessio.
keep your eyes peeled for his debut single 'mr no' out soon on the amazing no pain in pop.

banjo or freakout - 42 (upside down).mp3 (zshare)
banjo or freakout - the hollows (why? cover).mp3 (zshare)

check out banjo or freakouts myspace here
& no pain in pop here

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Tuesday, 25 November 2008

stella drinking grannies and other such tales

on the train last week, i saw the best lady in the whole world. she was about 70 i think, but was one of those shrunken small grannies who seemed to be growing down. she had a laura ashley twin-set on with a string of pearls and perfectly curled bluey hair. i liked her already. then out of her carpet bag she took a sandwich box and started eating some home made triangle sandwiches. i wanted to see if she had cut off the crusts but i thought she might see me staring, so lets just say she had.. for the story. i loved her already.


THEN she went into her bag again and pulled out nothing other than a can of stella. she popped it on the table we shared, got a hanky out and dusted off the top, opened the can and took a slurp. im pretty sure she did the 'mmm mmm ' shoulder shrug thing that i do when i like something. again.. lets say she did.

i almost asked for a picture. she is what stop scratching is made of.

ive been travelling all around recently. been to london more than i have been at home it seems.. which is actually quite clever considering i live in reading. not very long until the move now though. im hoping that my new found addiction to property websites will ease off once we're actually living in one. if the housing market wasnt in such a pickle i would maybe think of becoming an estate agent. a nice one ofcourse! who doesnt wear a suit. ive managed to find lots of lovely houses, even a new cross one with a swimming pool (we're abit scared we'll do a barrymore) SO if anybody needs a help finding a house to rent, im your girl.

i also went travelling to birmingham for jennifers birthday. i nearly had an asthma attack on the train home because i dont think i took a breath all night through pure excitement of being in jennifers company.

ooh also, something funny happened. really, its a blog in itself - a very long story. but i shall cut it into a small after dinner pie slice for this occasion. four or so years ago i was having the best time a girl could have at reading festival. running around, being silly, not even wearing a coat! me and my friend hannah-fringe, during a squiggle through mainstage crowds whilst trying to hold onto each other, a bottle of water and gravity.. made a song up. it went...

uh oh, dont let go. the waters getting low but you cant let go.

i cant say it was an immediate hit. but we sang it for the rest of the weekend anyway. later, in birmingham, during nights out i would maybe sing it to special people. then after knowing benjamin for not so long but him charming me into having the band kit stay at my house - i also sang it to vice cooler (drummer of kit and vocalist of xbxrx). at the time i thought he found it quite funny, and recorded me singing it on his recordable thing (that in my memory he just had in his pocket.. but probably not) FAST FORWARD to now - vice, as hawnay troof, has an album and has used my acual real life song and vocals on his song 'water' off his new album, islands of ayle. accidental popstar, me.

hawnay troof - water.mp3 (zshare)

sorry, that turned out to be a whole pie of a story. with custard. x

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Wednesday, 12 November 2008

the circle of life

rings (http://myspace.com/firstnationlove) are three girls from new york, they came about when drummer abby joined other members kate and nina who up until then had recorded a 7" and a full length together under the moniker first nation. they continued to play under that name until the recording of their most recent effort black habit, by which time they felt that their name change symbolised much more accurately what they were doing and what they represented. like a circle, they are all connected, they are uninterrupted they are whole. their music also mimics the pleasant shapes that are willingly thrust into our thoughts; effortless, soothing, continuous.

still, this isn't as wholly pleasant as one might imagine upon picturing the geometry and it's aforementioned principles, sure it takes great pride in appearing an unassuming folk outfit but underneath all the enchanting multi-layered three way vocals lurks a much more experimental, maniacal beast.
in 'double thanks' the vocals become short, sharp daggers that stab through circles and the haunting effect created by keyboards and ghost-esq wailing. 'is he handsome' is broken up with electronic noise that explodes into the furor from nowhere and the breathless gasping conjures the song a sense of urgency which perfectly compliments the frantic, yet beautiful keyboard hook.
upon each listen to black habit another door is opened into it's darker depths and you start to notice all manor of twisted intricacies that you were previously unaware of. this alone gives the album a great sustainability and has certainly had me reaching for the replay button.
as unpredictable as animal collective, as thoughtful as high places and as oddly unrestricted as (old) gang gang dance, this is certainly worth a listen, or two. or three, or four....

rings - double thanks.mp3 (zshare)

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Sunday, 26 October 2008

sons and daughters.

happy sunday everyone, we have some nice news and music to accompany t4 and your roast dinners today and that is that we're very pleased and equally excited to announce that we'll be doing a tape for the righteous lo-fi synth pop act, baby venom! (http://www.myspace.com/babyvenombaby).

they hail from baltimore, which for me along side LA and brooklyn is home to one of the most exciting underground music scenes in the US and everyone involved seems fiercely intent on keeping it that way, underground that is. with the likes of the notorious collective wham city, dan deacon, videohippos and cult tv show the wire to boast but a few of it's offspring, this is a city that oozes cool and conscious excellence. now couple those contemporaries and being from a city so culturally rich as baltimore and i can imagine that there is a great deal of pressure on new bands to uphold this level of integrity so it bodes well for baby venom that they are doing exactly that.
as a band they are still somewhat in their infancy, which gives it a real positive, esoteric quality. they make music that sounds like it was made solely for you, warm and affectionate full of endearing vocals and beautiful hooks. think along the lines of telepathe meets high places only that it doesn't sound like it wants to be either, it sounds as though it wants to be precisely what it is, which is the perfect pop music. but don't take my word for it, go listen yourself, you won't regret it. so, if i was baltimore and baby venom was one of my children, i'd be very proud them.

we'll be re-releasing a tape that the band put out themselves with a few extras thrown in for good measure as our fourth tape to replace the gap that will be left by doom patrol which for various reasons, we regret to inform you, we unfortunately won't now be putting out. we do wish both matt and curtis all the best though and just to clarify there are no hard feelings at all. hopefully you can expect to see something for baby venom before the end of the year but just keeping checking back for news on that.

baby venom - frank.mp3 (zshare)

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Tuesday, 14 October 2008

anything but crass

sorry i haven't updated in a while i've been busy working in order for me to be able to stay in london, it's going well, and in between pouring pints of peroni and sailor jerrys and coke i've managed to find time to attend two of the most exciting gigs i've been to in a long while, foot village @ the luminaire and japanther feat. pennie rimbaud @ the old blue last.



foot village, for those who aren't aware, are somewhat of an underground supergroup of sorts, hailing from LA they feat. members of the awesome gang wizard, among others. put along side that the fact that one of their members also helps to run deathbomb arc and the smell and this really becomes a band that demands your undivided attention and they certainly know how to go about getting that. from the moment they begin setting up their vast array of drums all eyes in the room are fixated.
foot village you see are everything but conventional, they aren't just out to make music and sell records they are out to create a civilisation one where "the national language is drumming and the national pass-time is screaming". they start with the ocean of drums which spill out over the stage from the inside out, presumably heading for new land and thus the promise of fresh resources and followers to help realise their intentions of a new age. the boats land ashore and the primitive sounding drums hit you instantly and perfectly notify you of the arrival of these forward thinking explorers obsessed with creation, but refreshingly, it's creation which is very much on their own terms. as the conquering continues, you become less and less aware of how involved you are as you're just so immersed in the evolution of the feral drumming, from what at first seemed like unrefined chaos to that which you soon understand - through their leadership - to be uniformed precision and the founding of their nation. the vocals shriek and wail out the orders over the top as the everything starts to come into place.
by the time it's all took shape and you're just beginning to understand what they are all about they already have london quartet pre (who did an amazing job of head support on the night) dancing under their banner, who join them onstage to aid them in our own complete conversion. you very soon begin to realise that these aren't just a bunch of tribal savages with a radical idea, because in terms of discovery and creation, they know exactly what they are doing and if that is building a world based on this background and these simple principles then write me up a deed of citizenship and i'll be on the next boat out to join them.

here is a track taken from their latest album friendship nation (tome) which was recorded by jonathan snipes of captain ahab and mastered by pete swanson of yellow swans!



a few months ago i had a brief e-conversation with one of the two members of japanther which left me with a sour taste in mouth due to him telling me that they are tied down with touring commitments in the u.s until at least early next year. this was awful news for me as their most recent effort, skuffed up my huffy, with it's distorted sing-a-long vocals, dance inducing hooks, hilariously defining samples and positive lo-fi energy has been a permanent fixture in my stereo this summer. so you can imagine my excitement when i get a facebook invite, of all things, on friday afternoon informing me that they're playing a gig at the old blue last that coming sunday. not only that but that they'd also be feat. pennie rimbaud of infamous punk legends, crass (at this point i'd been working may to much recently to realise japanther had brought out a new album very recently feat. pennie doing spoken word/beat poet on a few tracks).
they opened their set with pennie doing some of this spoken word and at first it was very interesting, if not awe-inspiring to be watching this totally still with-it old punk rocking back and fourth with complete disregard for his surroundings warbling on about africa being so very far away and other such vague insights. unfortunately this ended up making up what felt like the majority of the set and while i completely respect what both pennie and japanther are doing with this i couldn't help but think that this perhaps would have been best suited for the album and just a little bit to much live. despite the lack of audience participation during these mellow offerings it took not much more that a few notes of a song we all recognised for japanther to whip the crowd up into crowd surfing, floor punching, teeny bopping frenzy, which exactly what they did, consistently. the energy during the room - perhaps partly due it it being so pent up during the rest of the set - when they played their older material was so delightfully enthralling i couldn't help but find myself singing along at the top of my voice, which is something i haven't done in a long time!
japanther describe themselves as pop-punk, a term which so often has people turning their noses up, recalling misspent youths queuing up and getting drunk hours before gigs and generally being feeding off of each others excitement to see our heroes play all our favourite songs onstage. i'm happy to say that this gig, in it's element, did a wonderful job of recapturing my somewhat lost youthful enthusiasm and i left with that feeling you can only get from seeing a a band you love play the songs you love to sing-a-long to, a joyous warmth that kept me smiling all the way home.

here are two tracks which between them perfectly portray japanther and for serve as a great introduction for anyone who hasn't heard them. the first with it's simple hooks and distorted vocal chanting taken from skuffed up my huffy and the second from an older release wolfenswan which highlight's their knack for consistently using samples so effectively. enjoy.


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Monday, 15 September 2008

i need a job.

monday morning, the worst part of almost everyones week. i'm not even at work and i still can't ignore the distaste for this particularly gruelling part of the week, after an amazing weekend of free bars, good food and amazing company i'm having to go back to trawling through monster.co.uk and reed.co.uk in search of a crappy job. so i thought i'd procrastinate for a while and bring you a long overdue update on the next stage of stop scratching's plan for world domination.


so today i bring you the news on the next four tapes we shall be releasing after doom patrol. we decided that we're going to do releases, in terms of packaging and artists, in groups of four. for these next four though, we're making them extra special by giving away a fancy screen printed poster (by meesh of danger! laser! phaser! razor!) with each release, and when put all together form a four frame comic of their own. so without further a due...


the opening riff to human hair's 'happy birthday' is discordant, post-punk gold. it instantly crawls under your skin and pollutes your unconscious and you won't even notice until 5 minutes later when you're suddenly singing the notes aloud. human hair are a 4 piece from nottingham featuring henry of lovvers fame, they play cohesive, sullen post-punk with infectious, jangly hooks and smart, inviting vocals. they combine the abrasive, at times slightly uncomfortable elements of arab on radar, with the the importance (at least in my eyes) of les savy fav circa the cat and the cobra. they effortlessly blend together the confrontational with the listenable. i'm really exited for this.

human hair - happy birthday.mp3 (zshare)

teeth!!! are a three peice based in london, they fuse punk rock energy and ethics with positively unrestricted electronica. pitch bending infectious synth lines layered over the top of earth shaking drum beats and topped off with the seductiveness of lead singer veronica's raw but somewhat relaxed vocals. musically they are much more akin to the likes of a less polished dat politics, or if poney p of les georges leningrad headed a more balls out extreme politics, less rehearsed but with no less conviction. for those of you who are out of the loop, they basically just sound like kap bambino raised on a diet of punk instead of electro. they have remixes by the magnificent eats tapes coming out soon and are recording for the tape at madonnas studio in notting hill in october.

teeth!!! - dead boys.mp3 (zhshare)

male bonding are 3 guys from london, the play brattish garage punk with an un-ignorabley natural edge. scuzzy, brittle percussion that almost but not quite overpowers the frenzied but dynamic guitar playing. the vocals splutter with confidence and a sort of clarity and while each section is clearly defined and has a definite individuality it all comes together with the same clumsy cohesiveness found in the sounds of the butthole surffers and kin. it's britain's answer to everything that is coming out of LA at the moment, fun, energetic good times punk. they have a split 7" with pens coming out soon on paradise vendors inc. so keep an eye out for that.

click for link to male bonding's music (myspace)

chupacabra are a mysterious bunch, i've only heard two recorded songs by them. on those recordings, they create dark and atmospheric noise that makes you feel like you're cloud walking through an industrial graveyard on your way to the final showdown with sephiroth. live it's certainly a lot less daunting affair, lauren's wrangler brutes esq guitar sound ferociously rattles away with careless abandon while the pummeling tribal drums earge the march onwards and charleigh's wailing, eerie vocal lines bring it all together with complete unity. they're recording this month in new york and will apparently be returning next month, complete with a couple of new members to boot.

click for link to chupacabra's music (myspace)

so there you have it, keeps your eyes peeled for developments on those little beauty's.
x

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Thursday, 28 August 2008

this one goes out to all the unicorns.

if you haven't heard of birmingham's bass zealots bigger than barry then you must have your new era cap pulled down to tight around your ears. in little over a year the barry boys have shot to the top their game leaving all manor of chaos and destruction in their wake. they now regularly sell out 1000 capacity venues and are one of the most influential names in the relatively recent but already highly fashionable subculture. whether grime/bmore/bassline et el is your cup of tea or not these boys certainly demand a lot of respect from their peers and as far as making sure parties go off with a bang, they're second to none.


anyway, they've been kind enough to invite my humble night tuck shop to host the second room of their back to school extravaganza on september 6th and we're more than happy to take oblige. of course, we've asked a few friends along for the ride too;
firstly is the super hip london duo deptford noise team who run the night london shunshine in ldn's east end and secondly we've asked the boys from mirror! mirror! back to wow us all with their mix of everything from black eyes through to burial, though we were never going to stop at just that were we?
anyone who knows us will tell you that we're never content with just bringing you most current and relevant dj's from around the uk, so we've out done ourselves this time and managed to get LA's finest electronic wizkid, sister mantos (http://www.myspace.com/sistermantos).
coming to you hot off the LA scene that is centered around it's much talked about, critically acclaimed venue the smell this young artist conjures up some of the most instantly listenable psychedelic electronica this side of eats tapes. take the dominant and erratic beats of drop the lime, mix them with the dark brooding nature of the flying lotus and fuse it all together with ferocious sense of sugar coated accessibility and you have intelligent, thinking man's dance music of the most mouth watering order.
don't let my musings fool you though, this is by no means difficult or conceited, infact oscar is a hero. he's willing to play for just the cost of travel and expenses and is happy to take a guerrilla approach toward equipment and sound, this is a real positive guy who is much more concerned with having a good time and has the kind of infectious nature that can only lead to fun for everyone involved. trust me on this one, he is going to get the party started!

sister mantos (feat. strawberry 06 and apple brains) - disaster beat WE ARE ONE.mp3 (zshare)

enjoy.
oh, and come watch.

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Tuesday, 26 August 2008

another punch in the dark, connects.

finally, after almost 6 months of putting off the release dates and numerous financial and physical set backs we have definite news about the two releases which have been pending since way back when. both talibam! and gentle friendly will be officially released on october 1st but because we've kept you in the dark for so long we've decided that you're in need of a treat so we're putting them up for sale on our website on monday september 8th, then in october you'll be able to also buy them at rough trade east on brick lane and at platform in the custard factory, birmingham.

here is some information on the bands and their tapes.

talibam! - chewy needs his meat c40 cassette (ss002)


talibam! are one of the most challenging and fascinating bands in contemporary music, not content with standing still, not restricted by the boundaries of genre they are more concerned with exploring and pushing themselves and their music to transcendent new heights. on "chewy needs his meat" talibam! have pumped up and pressurized, pushing red on the meters, sinking their teeth into the saturated beauty of an analogue ecstasy. the sound is a blended up time-machine transmission from a newly populated martian landscape faraway from the wasted megacities left behind on a burnt earth canvas. After the apocalypse, toxic anthropologists will determine "chewy needs his meat" alone summarizes the debauchery and wreckage that took place.

talibam! - extract from chewy needs his meat.mp3 (zshare)

side a:
1) chewy needs his meat
side b:
1) chewy needs his meat cont.

gentle friendly - esses together/blast debris (debris from blasts had 1968-2008) c30 cassette (ss003)


gentle friendly create intricate, esoteric pop music, as private and dear as it is accessible. they are often compared to the likes of animal collective and in the same sense as experimental and innovative it is also manages to remain mysteriously individual. this cassette release, titled "esses together/blast debris (debris from blasts had 1968-2008)" is a collection compiled by the band from reams of magnetised tape and hours of song. It is a mesh of old favourites and brand new cuts for you all to step to.

gentle friendly - punch in the dark.mp3 (zshare)

side b:
1) mic check
2) ins
3) you are the brother/real fighters
4) untitled 1
5) punch in the dark
6) dymo omega
side b:
7) untitled 2
8) giants exist!
9) teen lightning pt. 1
10) teen lightning pt. 2
11) ex ex

so, there you have it. both tapes will cost just £4 each! with £1.00 to cover the costs of the postman and paypal (more overseas) or just a flat rate of £4 at shows or from us in person. so crack open your piggy banks and fill up our collectively empty pockets as of september 8th. each is limited to 100 and is on a fancy coloured cassette which is then wrapped up in brown paper and string and comes with it's own unique stop scratching comic by trav_art. get yours fast before they become back catalogue gold.

also, in other news we have someone new to introduce you to; mike coley is long time friend of mine who shares much of the same tastes, ideals and opinions of stop scratching and also has a fondness for the love playing music to the sound of our own shrinking livers and so we asked him to come on board and join myself and cassie as part of stop scratching djs, to accompany this he'll also be a fixture on these here pages as a contributor to the blog. i'll bully him into making himself known over the next few days. keep your eyes peeled for dj sets and events coming soon.

thank you, i'm off to sign on which will no doubt turn into a full blown war with the jobcenter

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